The Beginners curriculum groups lessons into three carousels and culminates with getting on the air. There is no designated entry point and no reset. Students get on the carousels whenever they wish and progress when they feel ready. The carousel concept accommodates a broad range of student performance. Fast learners may take just one rotation while those wanting a more relaxed pace may take a couple of rotations before progressing.

BC1 is comprised of 18 characters in six lessons.  Students learn how to hear and associate the acoustic CW sounds with a character.  We begin at a character speed of 12 WPM and an effective speed of 8 FWPM (Farnsworth WPM) 12/8.  Three new characters are introduced per lesson using the Koch Method.  New characters are played without identifying what character the acoustic sound is associated with.  Students are directed to mark a paper with a dot when they recognize the acoustic sound.  Then the acoustic sound is associated with a character.  From then on, students are directed to say, write, or type the character when they recognize it.  The process is repeated with each new character.  After the new characters have been introduced, students will verbalize them for the instructor to ensure they are being heard as single acoustic sounds.

NOTE: During their first BC1 lesson students are encouraged to focus exclusively on the new characters introduced in the first portion of the lesson. Their homework assignment for the week is to become intimately familiar with the character sounds of those new characters. Students may stay for the second half of the lesson but doing so may prove counterproductive as characters not yet learned will be reviewed.

CODE TALKING:

Verbalizing characters or Code Talking is an effective aid in learning and practicing the code.  It was introduced to LICW by Chris Rutkowski NW6V.

The primary advantages of Code Talking are that it does not require any peripherals such as a key and oscillator, and it uses acoustic sounds in alignment with the received Morse Code.  This makes it easy to integrate into early portions of the curriculum, but Code Talking is only a bridge to actual receiving and sending with a key.

The LICW method of Code Talking uses only three sounds, “di, DAH, and dit.”  The di and DAH correspond directly with the character elements and the last dot is verbalized as “dit.”  The DAH is capitalized indicating emphasis.

For example:

R       . _ .   “di-DAH-dit”

E       .        “dit”

A       . _     “di-DAH”

We are purposely omitting the rest of the chart.  Koch was very critical of efforts to teach CW by requiring students to memorize optical symbols on a chart, which he referred to as the analytical method.  The mental process of copying code by that process requires counting the elements and reassembling them for comparison to the symbols imprinted in memory.  That is inefficient but possible at a low tempo, but it is unachievable at faster speeds.

BC SENDING:

BC Sending focuses on foundational skills such as suggested key adjustments and hand and arm placements.

The straight key is our key of choice for initial learning of code because of its inherent ON/OFF nature.  It perfectly mirrors the ON/OFF pulses of the Morse signals.  There is a 1:1 correlation.  All other forms of keying require the addition of another skill, another layer of translation, and thus complicate the process.

Learning to practice by comparing one’s sending against a standard is critically important to ensure mistakes are not repeated and reinforced.  Techniques such as hear a letter, say a letter, and send a letter are taught.  The focus is on sending with proper element formation, spacing, and rhythm.  Each class sends the previous week’s characters in the carousels.

BC1 students should attend BC Sending classes as soon as possible and begin sending in class with a key.

BC2 is comprised of 26 characters in nine lessons (including numbers, prosigns, and BK) bringing the total number of characters up to 44. Character speed remains at 12 WPM.  Effective speed is increased to 10 FWPM (12/10).  Koch found that once students learned how to learn code as acoustic sounds, it was unnecessary to introduce new characters without identifying what character the acoustic sound was associated with.  The new characters combined with the 18 carried forward from BC1 enable QSO words to form.

Sending is an integral part of BC2.  Students should now possess foundational sending skills.  Sending will focus on proper element formation, consistent spacing, and rhythm.

BC GUIDED PRACTICE:

BC Guided Practice sessions are held immediately following each BC2 class.  BC1 and BC2 students are encouraged to attend.  These relaxed practice sessions are designed to consolidate newly acquired knowledge and skills through practice and practical experience.   Students will begin communicating with each other in CW by sending call signs, names, and whatever comes to mind.  Let’s talk!

 BC OPEN PRACTICE:

BC Open Practice sessions are held twice each weekday.  BC1 and BC2 students are encouraged to attend.  Students are free to practice copy and sending in a relaxed atmosphere.  Session structure and content are completely up to the attendees, but the guided practice sessions should serve as a model.

CODE BUDDY:

Practice sessions are an excellent place to meet like-minded people.  Consider finding a code buddy.  Look for someone with the same goals, schedule, and commitment you have.  When you practice with a code buddy, you’re likely to:

·      Feel more motivated.  When you and your buddy encourage each other, you’ll work harder and get better results.  

·      Be more consistent.  When someone else is counting on you to show up, you won’t want to let them down.

LICW also has a code buddy program administered by Wayne KN6EY.  A spread sheet with code buddy contacts and their availabilities may be found in a Club Dropbox folder 80.

BEGINNERS CAROUSEL 3:

Getting and staying on the air is the ultimate goal of the Beginners Carousel curriculum. The first on-air QSO is a significant and celebrated achievement, but it is not a “one and done” event. Being on the air opens the door to experiential learning, which is the process of learning by doing. Being on the air forces you to accept missed characters, an essential skill needed to progress. Being on the air builds confidence and broadens your skills by adapting to unknowns such as changing band conditions, various fists, speeds, and key types. Unscripted and discussion-oriented “rag chew” QSOs can be challenging but they are especially beneficial.

Being on the air is rewarding. It connects you to radio history and heritage and demonstrates hard earned skills. You are highly encouraged to continue making regular on-air contacts as you proceed on your CW journey.

BC3 is the culminating portion of the Beginners Carousel curriculum. It is comprised of eight preparatory lessons for on-air activities:

· LICW QSO Protocol (How to send & answer a CQ)
· LICW QSO Protocol (Starting the QSO)
· LICW QSO Protocol (Protocol 2)
· LICW QSO Protocol (Ending the QSO)
· LICW Challenge
· SKCC
· SOTA/POTA (Summits and Parks on the Air)
· K1USN SST (Slow Speed Contest)

Like BC1 and BC2, there is no designated entry point and no reset. Each lesson is comprised of a briefing followed by interactive practice of the associated protocol or exchange.
Additionally, LICW hosts five Get On The Air (GOTA) classes weekly. These are instructor led gateways to on-air activities, which are ideally suited for first on-air QSOs. Students are encouraged to continue participating even after progressing to the Intermediate curriculum.

· Live QSO Assistance on Tuesdays
· Live DX QSO Training on Wednesdays
· SKCC Night on Thursdays
· LICW Challenge Assistance on Saturdays
· K1USN SST (Slow Speed Contest) on Sundays